Esoteric Coffeehouse

I have written, about two articles ago, about French occultist Eliphas Levi’s contribution to tarot mythology. I have decided to go farther and show how the tarot was taken up by the Golden Dawn circle at the end of the 19th century and turned into a major spiritual guidance tool.

The Golden Dawn movement per se surely deserves another article, but for now I will just summarize it as a nineteenth century magical movement that drew heavily on the ‘occultist’ strand as defined by Eliphas Levi, Bulwer-Lytton and the Rosicrucian movements. It was founded by William Westcott and Samuel MacGregor Mathers. Mathers was a brilliant thinker with a particular talent at consolidating occult knowledge floating in esoteric circles at the time. As an example, he drew up the first Golden Dawn tarot deck (now lost), whose Arcana corresponded not only to Kabbalistic paths (as in Levi) but also to the initiatory levels of the Golden Dawn system (1). In Golden Dawn terms, the gradual mastery of the Tarot became similar to the novice’s journey of spiritual awakening. It was probably part of this concept of adept progress that novices were encouraged to reproduce their own sets of cards from Mathers’ templates for quite a long time (2).

The importance of the Golden Dawn tarot is also emphasized by the fact that the scroll containing Mathers’ writings on the Tarot was sometimes presented during the Golden Dawn ceremony. The four suits (wands, coins, cups and swords) were also sometimes used as ceremonial props (3).

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I have written sometime ago an article on the Egyptian myth of the Tarot (you can find it here if you missed it). I mentioned there that the ‘creators’ of the Tarot as we know it were basically 18th century esoteric writers Antoine Court de Gebelin and his friend the Count of Mallet. Yet Tarot would not be the esoteric phenomenon it is today (a search on the internet on ‘tarot’ would pull a staggering amount of 28 million entries) if it weren’t for another Frenchman, Alphonse Louis Constant, known as Eliphas Levi (1810 -1875).

Levi was a shoemaker’s son, just like another famous esotericist, Jacob Boehme. He was due to become a priest, but he gave up and got involved in the whirlwind of the 1848 revolution (1). When his political ambitions became frustrated, Levi turned to a serious study of Western esoteric traditions. In the process, he became acquainted with two key traditions: the Jewish Kabbalah and the Tarot.

The Kabbalah is a set of esoteric teachings developed by medieval Jews, and based upon a hidden understanding of the Hebrew Bible. At the core of the Kabbalah stays the Tree of Life, a complex system representing the 10 emanations of God into His Creation and the relationships amongst them. Kabbalah had been enthusiastically taken up by the Hermetic thinkers of Renaissance Europe, particularly Pico della Mirandola, Johann Reuchlin, Cornelius Agrippa and others. Christian Cabala, or Qabalah, as it became known, may have altered the original Jewish thought, but it had a tremendous influence on modern esoteric traditions. Levi enthusiastically subscribed to the Kabbalah and included it in his works.

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Back in the late 1700s, a Freemason by the name of Court de Gebelin was shown for the first time a tarot pack. He studied the cards and a revelation hit him: they were living remnants of ancient Egyptian religion. He was so convinced of his intuition that he wrote an entire treatise on the Tarot and its Egyptian origins (1). He did not offer much in terms of evidence to uphold his conviction, but we must keep in mind that he was writing at a time when the so-called ‘scientific method’ was not part of the humanistic tradition. A friend of his, the Count of Mellet, wrote a supporting essay that went even further by claiming that Tarot was the surviving “book of Thoth” that contained divine Egyptian revelations (2). Gebelin and Mellet’s work gave birth to an entire esoteric tradition that maintained the Egyptian origin of the play pack. Following this tradition, a French cartomancer named Eteilla became famous by expanding on the Egyptian Tarot, and later in the 19th century, the physician Papus affirmed that the Tarot was the “Bible of Bibles”, the book of Hermes Trismegistus, kept alive by the Gypsies (3). It was only at the beginning of the 20th century, in the authoritative work of A.E.Waite, Pictorial Key to the Tarot, that he remonstrated those that believed that the pack could have possibly originated from Egypt (4). However, remnants of the old esoteric belief can still be found in Aleister Crowley’s Book of Thoth tarot pack and modern tarot creations like the Ancient Egyptian Tarot (5, 6).

Waite’s deconstructionism was based on a rising modern concern with recorded history. In this sense, he was correct: apparently, the first tarot packs in a recognizable form rose in Italy in the 1400s, before spreading far and wide across Europe (7). In the 1600 and 1700s the tarot game was at its peak, being played in many intellectual salons throughout the continent (8). There is little evidence that any mystical or esoteric meaning was associated to the Tarot prior to Gebelin’s revelation: apparently it was only in the early 1700s that symbolism began to be associated with it (9). What is certain is that, after Gebelin and Mallet’s “manifestos”, Tarot became less and less of a game and more and more of an instrument of divination, meditation or esoteric philosophy, as it remains until today. You can hardly hear of anyone actually playing the Tarot, even though except for the 22 trumps, the others are very similar to the normal playing cards.

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These days if you turn on National Geographic or the Discovery channel you can be sure to run into a program that talks about ancient Egypt and the Pyramids. It is fairly obvious that Pharaonic Egypt continues to exercise a profound fascination on people’s minds. Modern folk are not exception, but the rule, for almost every period in history was mesmerized by the mystery of ancient Egypt. Starting with the Greeks, continuing with the Romans, Islamic culture, the Renaissance down to the present, Egypt continues to embody the mystery of the beginnings of civilization. For most people, the legacy of Egypt is a dead culture buried deep within the sands of the Valley of Kings: but for many of those studying or practicing Hermeticism, it is still very much alive. Today, it is becoming more and more likely that at least part of the ancient Egyptian heritage passed through the figure of the god Thoth to an offshoot of him, Hermes Trismegistus, and then on to the modern times.

Ancient Egyptian religion is still shrouded in mystery, despite the translations of the hieroglyphs. Today we associate this religion mostly with the cult of Osiris and Isis, as well as the sun-god Re. However, it now appears that the god Thoth was an equally, or eventually more important god than these.

I must confess that I have encountered problems trying to unearth the mysterious figure of Thoth. There’s hardly anything up-to-date written about him: my main sources had to remain at the level of 1922’s classic by P. Boylan (1) and a 1973 book by J.C. Bleeker (2), none of which cover the late antique transformation of Thoth into Hermes Trismegistus. For Hermes and Hermes Trismegistus there is quite an enlightening book written by the founder of Western Esotericism research, A. Faivre (3). Yet in the end the information on Thoth is sadly disjointed, not updated and fragmentary, as if destined to perpetuate the myth and mystique of this shadowy god!

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During the Renaissance, scholars were convinced that the surviving Hermetic fragments – notably the Corpus Hermeticum and the Emerald Tablet – originated in ancient Egypt. They believed that the Hermetic manuscripts were authored by a sage called Hermes Trismegistus, who was contemporary to the Biblical Moses and the great Pharaonic civilization. The Renaissance thinkers hence regarded with reverence the Corpus, and brilliant scholars like Marsilio Ficino, Pico della Mirandola, Cornelius Agrippa, Giordano Bruno and others sought to unveil the perennial wisdom contained in the Hermetic writings. A veritable revolution of ideas and letters was unleashed, with a flourishing of alchemy, magic, astrology and kabbalistic practices.

However, in 1614, a French classical scholar named Isaac Casaubon destroyed the magic of Hermes Trismegistus. He maintained, upon careful analysis of the Corpus Hermeticum, that the writings were not originating from ancient Egypt but from the 200-400 AD Greek circles, and that Hermes Trismegistus, far than being a contemporary of Moses, was rather a contemporary of the late Roman emperors. Undeniably, there are elements in the Corpus Hermeticum that mirror late antique Greek philosophy.

Casaubon’s deconstructive analysis may have dealt a deadly blow to the Renaissance belief in the antiquity of Hermetic writings, but it did not stop esoteric groups and thinkers from regarding them highly. Nevertheless, academic scholars avoided the analysis of the Corpus Hermeticum until the middle of the 20^th century.

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