Esoteric Coffeehouse

Even as I was deeply immersed into research of the Hermetic tradition and the god Thoth, I could not avoid being drawn into the current events of Barack Obama’s US election. I have always thought that the esotericists (particularly those of Hermetic extract) have been men and women of the world, engaged in the transformation of the world into a better place. Perhaps it is down this line that I want to live as well, so please understand if I may from time to time jump thousands of years from Thoth to Barack Obama and back again. This exercise is, of course, carried out in the spirit of esotericism: looking at the underlying trends behind the surface.

It has hence occurred to me that Obama’s image and story can be compared to Joseph Campbell’s myth of the Hero, which Campbell called the “monomyth” (1). Whether consciously or unconsciously, people – and sometimes Obama himself – tend to project this image upon him. As early as 2006, he was called star and legend (2), and recently I have even read an online blog where the writer called him ‘savior’! (3) Mind you, I’m not laying a claim of profound originality on this –  I discovered then that George Lucas has already made note of Obama following the Hero’s Journey (4) and there are two bloggers that talked about it, albeit sketchily (5, 6). However, I would like to look at this more in detail than the others I have read.

Let’s start with the beginning. For those that don’t know, Joseph Campbell (1904-1987) was one of the foremost mythologists of his age (7). He is primarily remembered for his groundbreaking book, The Hero with a Thousand Faces. It is in this one that he articulated the myth of the hero’s journey, which directly influenced George Lucas’ Star Wars, Disney’s The Lion King, and countless movies and books ever since (8). The book ‘deconstructs’ the journey of the hero in a number of steps. It is my intention here to compare these steps with the story of Obama’s rise to power and Presidency.

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These days if you turn on National Geographic or the Discovery channel you can be sure to run into a program that talks about ancient Egypt and the Pyramids. It is fairly obvious that Pharaonic Egypt continues to exercise a profound fascination on people’s minds. Modern folk are not exception, but the rule, for almost every period in history was mesmerized by the mystery of ancient Egypt. Starting with the Greeks, continuing with the Romans, Islamic culture, the Renaissance down to the present, Egypt continues to embody the mystery of the beginnings of civilization. For most people, the legacy of Egypt is a dead culture buried deep within the sands of the Valley of Kings: but for many of those studying or practicing Hermeticism, it is still very much alive. Today, it is becoming more and more likely that at least part of the ancient Egyptian heritage passed through the figure of the god Thoth to an offshoot of him, Hermes Trismegistus, and then on to the modern times.

Ancient Egyptian religion is still shrouded in mystery, despite the translations of the hieroglyphs. Today we associate this religion mostly with the cult of Osiris and Isis, as well as the sun-god Re. However, it now appears that the god Thoth was an equally, or eventually more important god than these.

I must confess that I have encountered problems trying to unearth the mysterious figure of Thoth. There’s hardly anything up-to-date written about him: my main sources had to remain at the level of 1922’s classic by P. Boylan (1) and a 1973 book by J.C. Bleeker (2), none of which cover the late antique transformation of Thoth into Hermes Trismegistus. For Hermes and Hermes Trismegistus there is quite an enlightening book written by the founder of Western Esotericism research, A. Faivre (3). Yet in the end the information on Thoth is sadly disjointed, not updated and fragmentary, as if destined to perpetuate the myth and mystique of this shadowy god!

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Since tonight is Halloween, I thought that I might do some research into its origins and meaning found in the Celtic Festival of Samhain. Celebrated at the beginning of November, Samhain marked the coming of the winter months, with their dimming light and heightening darkness. The root of the word “Samhain” comes from “samhradh”, meaning “summer” in Irish Gaelic¹. While the exact etymology has not been confirmed by scholars, in Celtic tradition, “Samhain” corresponds to “end of summer” (a combination of samh “summer” and fuin “ending, concealment”).  Samhain and Beltanne (May Day) stood in opposition as the beginning of the season of winter and summer, respectively, but Samhain was a much more prominent festival and may have marked the beginning of the Celtic New Year as Frazer has pointed out ².

Samhain was, consequently, a festival of deepening darkness and budding light. It was a meeting place between two opposites – the winter and the summer, the dark and the light, death and life. As such, the festival contained both aspects of existence – although the darkness, increasing at this time, was more profuse and substantial.

In its ‘dark’ aspect, Samhain marked a period of destruction and chaos. Perhaps the most dramatic illustration of this was the ritual killing of the Irish kings of Tara. According to Dalton’s evidence and interpretation, the kings that had behaved unsuitably or unpiously in office would be killed on the day of Samhain³. Ritual killing was also effected against animals: Samhain was the season when the cattle that would not be kept through the winter were slaughtered⁴.

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