Esoteric Coffeehouse

Until recently, the field of Western Esotericism, like other academic fields, has had an “Iron Curtain” of its own, staying away from Eastern Europe or Russia. In many ways, this omission was not intentional, but resulted from the lack of access to documents trapped on the other side of the Wall. It was then salutary that at this ESSWE conference in Strasbourg (of which you can read more in my previous post) there were presentations on the esotericism of Russia, the Czech Republic and Romania. In many ways, Eastern European countries are an unearthed treasure-trove that demands recovery.

My presentation focused on the town of Sibiu (also called Hermannstadt or Nagyszeben) in Transylvania, a historical province of Romania. Sibiu was named in 2007 as one of the two European capitals of culture, and Sibians are still very proud of this honour, the first one bestowed to an Eastern European city. Sibiu is by many standards a peculiar place, as it was for almost a millennium inhabited mainly by ethnic Germans, locally called “Saxons”, in a province dominated by a Romanian majority and a Hungarian minority. The Germans came here around 1100s, invited by the Hungarian kings to protect the border of Transylvania from Tartar and later Turkish raiders. The Germans occupied a land they called “Siebenburgen” (the seven cities) out of which Sibiu was the most important and best fortified. It was so well fortified that the Pope once praised it for being one of the foremost bastions of Christianity, successfully withstanding Moslem attacks. In 1526, however, Hungary fell to the Turks, and Transylvania (together with Sibiu) became a vassal of the Turks. This was not as bad as it sounded, because the principality was virtually independent, paying a formal tribute to the Ottoman Empire. Hence, when the Austrian Empire tried to take over Transylvania in the 1600s, there was strong local resistance. Eventually, the Austrians did occupy the principality, which became part of the Empire until 1918. Since then, Transylvania (and Sibiu) was part of Romania. However, after 1945, most Germans began to leave the country, with the result that now there are only 3% of them left in Sibiu (albeit the mayor of the town is a German).

From my investigations, Sibiu appears to have a rich esoteric background, focused particularly on alchemy and freemasonry. The key alchemist figure here was Melchior Cibinensis, a mysterious author which composed a famous alchemical work in the 1500s called “the Alchemical Process in the form of a Mass”. This was an audacious piece that made an analogy between alchemy and the Catholic Mass. In the 20th century, Carl Jung used this work to describe his theory of the correspondence between the lapis philosophorum and Christ.

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I have written, about two articles ago, about French occultist Eliphas Levi’s contribution to tarot mythology. I have decided to go farther and show how the tarot was taken up by the Golden Dawn circle at the end of the 19th century and turned into a major spiritual guidance tool.

The Golden Dawn movement per se surely deserves another article, but for now I will just summarize it as a nineteenth century magical movement that drew heavily on the ‘occultist’ strand as defined by Eliphas Levi, Bulwer-Lytton and the Rosicrucian movements. It was founded by William Westcott and Samuel MacGregor Mathers. Mathers was a brilliant thinker with a particular talent at consolidating occult knowledge floating in esoteric circles at the time. As an example, he drew up the first Golden Dawn tarot deck (now lost), whose Arcana corresponded not only to Kabbalistic paths (as in Levi) but also to the initiatory levels of the Golden Dawn system (1). In Golden Dawn terms, the gradual mastery of the Tarot became similar to the novice’s journey of spiritual awakening. It was probably part of this concept of adept progress that novices were encouraged to reproduce their own sets of cards from Mathers’ templates for quite a long time (2).

The importance of the Golden Dawn tarot is also emphasized by the fact that the scroll containing Mathers’ writings on the Tarot was sometimes presented during the Golden Dawn ceremony. The four suits (wands, coins, cups and swords) were also sometimes used as ceremonial props (3).

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I have intended for sometime to write a little piece on the stages of alchemical work. There are several books on alchemy, but I’m afraid not very many talk in a clear manner of the alchemical process itself. Surely, throughout the centuries alchemical techniques underwent a natural evolution, and matters are complicated by the personal touch each alchemist set on the process. However, it appears that the Western alchemical tradition maintained a consistency of four phases expressed in colors: nigredo (blackness), albedo (whiteness), citrinitas (yellowing) and rubedo (redness). This habit of expressing alchemical change through color was called ‘dyeing’ and underlay a belief that colors expressed fundamental stages of nature (1). Carl Jung thought this sequence originated with Heraclitus, although no reference from the ancient Greek philosopher is given (2).

Alchemical work was rooted in the philosophy of a gradual but irreversible process of improvement in nature. Perhaps the best summary of the worldview pervading alchemy was Mircea Eliade’s lesser known work The Forge and the Crucible. According to him, alchemical practice was rooted in a primordial human impulse as homo faber (3). The fundamental idea was that Nature was perfectible and that it was in a perpetual process of self-improvement. All metals tend, or wish, to become gold, and they do so over centuries of change. However, man can intervene and quicken the process of natural growth. This human implication into the course of Nature was accompanied by a feeling of sacredness and reverence toward her. This was not inert, inferior matter: but matter hiding the very seeds of divinity. It was by delving deep into the heart of Nature that the alchemist discovered the secrets of Creation and immortality.

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These days if you turn on National Geographic or the Discovery channel you can be sure to run into a program that talks about ancient Egypt and the Pyramids. It is fairly obvious that Pharaonic Egypt continues to exercise a profound fascination on people’s minds. Modern folk are not exception, but the rule, for almost every period in history was mesmerized by the mystery of ancient Egypt. Starting with the Greeks, continuing with the Romans, Islamic culture, the Renaissance down to the present, Egypt continues to embody the mystery of the beginnings of civilization. For most people, the legacy of Egypt is a dead culture buried deep within the sands of the Valley of Kings: but for many of those studying or practicing Hermeticism, it is still very much alive. Today, it is becoming more and more likely that at least part of the ancient Egyptian heritage passed through the figure of the god Thoth to an offshoot of him, Hermes Trismegistus, and then on to the modern times.

Ancient Egyptian religion is still shrouded in mystery, despite the translations of the hieroglyphs. Today we associate this religion mostly with the cult of Osiris and Isis, as well as the sun-god Re. However, it now appears that the god Thoth was an equally, or eventually more important god than these.

I must confess that I have encountered problems trying to unearth the mysterious figure of Thoth. There’s hardly anything up-to-date written about him: my main sources had to remain at the level of 1922’s classic by P. Boylan (1) and a 1973 book by J.C. Bleeker (2), none of which cover the late antique transformation of Thoth into Hermes Trismegistus. For Hermes and Hermes Trismegistus there is quite an enlightening book written by the founder of Western Esotericism research, A. Faivre (3). Yet in the end the information on Thoth is sadly disjointed, not updated and fragmentary, as if destined to perpetuate the myth and mystique of this shadowy god!

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