During the Renaissance, scholars were convinced that the surviving Hermetic fragments – notably the Corpus Hermeticum and the Emerald Tablet – originated in ancient Egypt. They believed that the Hermetic manuscripts were authored by a sage called Hermes Trismegistus, who was contemporary to the Biblical Moses and the great Pharaonic civilization. The Renaissance thinkers hence regarded with reverence the Corpus, and brilliant scholars like Marsilio Ficino, Pico della Mirandola, Cornelius Agrippa, Giordano Bruno and others sought to unveil the perennial wisdom contained in the Hermetic writings. A veritable revolution of ideas and letters was unleashed, with a flourishing of alchemy, magic, astrology and kabbalistic practices.
However, in 1614, a French classical scholar named Isaac Casaubon destroyed the magic of Hermes Trismegistus. He maintained, upon careful analysis of the Corpus Hermeticum, that the writings were not originating from ancient Egypt but from the 200-400 AD Greek circles, and that Hermes Trismegistus, far than being a contemporary of Moses, was rather a contemporary of the late Roman emperors. Undeniably, there are elements in the Corpus Hermeticum that mirror late antique Greek philosophy.
Casaubon’s deconstructive analysis may have dealt a deadly blow to the Renaissance belief in the antiquity of Hermetic writings, but it did not stop esoteric groups and thinkers from regarding them highly. Nevertheless, academic scholars avoided the analysis of the Corpus Hermeticum until the middle of the 20th century.
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