Esoteric Coffeehouse

Since last time I wrote about the Christian Kabbalah, I thought I’d briefly talk about the Jewish Kabbalah as well, with the caveat that I’m not an expert in this. My conclusions here come from reading mainly books and articles by the best scholars in Kabbalah – Gershom Scholem and Moshe Idel.

Based on my reading, I would generally divide the Kabbalah into three main categories: Sephirotic, Ecstatic and Lurianic. I will explain each of them in some detail below.

The Sephirotic, or Zoharic Kabbalah is that which is best known to modernity. It has been described as ‘theosophical-theurgical’ in the sense that it involves a complex cosmology and metaphysics, and it also involves a human effort of uniting the lower world to the upper one. The Sephirotic Kabbalah is almost exclusively the product of the Jewish diaspora (the Sephardic Jews) in the Spanish Middle Ages. Their supreme accomplishment is the Zohar, the Book of Splendor, written sometimes in the 13th century, presumably by the Kabbalist Moses de Leon.

According to the Zohar, and other writings, God is the Ein-Soph, the indefinable, indescribable divinity. Out of this infinity, He projects himself into three initial emanations, the first three Sephirot: Kether (Crown), Hochmah (Wisdom) and Binah (Understanding). These, in turn, produce the lower seven: Daat (Knowledge), Hesed (Mercy or Kindness), Gevurah (Strength or Power), Tipheret (Beauty), Netzach (Victory), Hod (Glory), Yesod (Foundation) and Malkuth (Kingdom or Monarchy). The emanations are dynamic and create a complex relationship amongst them – it is often said that the links are more important than the actual emanations.

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At the foundation of Christian Kabbalah stands one man: Giovanni Pico della Mirandola, the original enfant terrible of the European Renaissance. At the tender age of 23, in 1486, Pico wrote and sent to the Pope 900 Theses of theology and philosophy which he proposed to debate with anyone that wished to do so. To these he attached an introductory Oration on the Dignity of Man, which has become a classical statement of the Renaissance worldview. It is regrettable that today he is mostly remembered for this statement of human dignity rather than his other groundbreaking work.

Unfortunately for Pico, church officials were not in a mood for a debate with the young and dashing count, and instead proceeded to analyse the 900 Theses against the Catholic dogma. They found 13 propositions suspicious of heresy, and out of these, one in particular: “There is no science that assures us of the divinity of Christ than magic and the Cabala”. Pico agreed to retract the condemned theses, but later he published an Apology which pretty much re-affirmed all his ideas. This, of course, set the Pope on fire, and Pico had to flee to France to avoid imprisonment. After many other adventures, Pico settled back in Florence, where he died at only 31 years of age, apparently poisoned by a member of the famous house of Medici.

Pico has been called the disciple and pupil of the philosopher Marsilio Ficino. They shared an interest in Neoplatonic, Hermetic philosophy and magic, but Pico didn’t think those were enough. He was attracted to the mysterious art of the Kabbalah, whom Hebrew scholars were talking to him about.

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