Esoteric Coffeehouse

Today I want to talk about Heinrich Cornelius Agrippa (1486-1535), the most famous (or infamous) Renaissance magician. He is the author of one of the well-known compendium of Renaissance esotericism, On the Occult Philosophy (or De Occulta Philosophia), which is still admired by people interested in magic today.

Agrippa was a German wanderer, much like his contemporary, Paracelsus. He traveled almost all his life between Germany, France and Italy, and switched professions just as easily as he switched countries. He was a theologian, a lawyer, a physician and a hired soldier. He claimed to have acquired both a law and medicine degree In the meantime, he wrote revolutionary treatises on Renaissance magic, the vanity of knowledge, the status of women in society and Virgin Mary. Most of these he refrained to publish until late in his life.

Agrippa was an unconventional scholar; for instance, in an era when women were seen as inferior and even instruments of the devil, he affirmed that they were in fact superior to men and more spiritual than them. His defense of the female sex caused quite a sensation in the period. In his De Vanitate Scientiarium, On the Vanity of all Sciences, he rejected all forms of knowledge as empty and purposeless. Even today scholars of Agrippa’s works are baffled by his universal rejection of knowledge. He was certainly an unusual iconoclast, an unique character that built and destroyed all at once.

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It’s autumn, the leaves are yellowing and I am back. I’m happy to say that my MA dissertation in Western Esotericism is off and I will be starting my PhD in Western Esotericism. Yup, I can’t get enough of it.

In case you’re wondering (and even if you are not), my thesis was called “The Impact of Jan Baptista Van Helmont’s Theory of Love, Desire and Universal Sympathy on his ‘Christian Philosophy’”. I hope it sounds heavy enough. I will try to write an article on Van Helmont some time soon; he was a physician and an alchemist in the tradition of Paracelsus who lived at the beginning of the 17th century.

For now, I would like to write a bit on the Renaissance love philosophy and its relationship with magic. The story begins with the first Renaissance philosopher, Marsilio Ficino (end of the 15th century). Today he is remembered mainly as the translator of Plato’s treatises from Greek into Latin. History has not been very kind to him, even as he was in many ways the reason the Renaissance ever existed. Ficino re-introduced Plato, the Neoplatonists and Hermetic thinking in the discourse of his contemporary age and hence ignited a revolution of consequences.

I will not go into the depths of Ficinian philosophy now except in so far as he was the creator of a pervasive love philosophy in his era. Of course, if you asked Ficino, he would never recognize that he created it (back then originality was not well regarded). Perhaps he really didn’t. He simply tried to restore the courtly love tradition of the Middle Ages, whose chief representatives were Francesco Petrarch, Dante Alighieri and Guido Cavalcanti. He also looked farther back to Plato himself for inspiration.

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I have written sometime ago an article on the Egyptian myth of the Tarot (you can find it here if you missed it). I mentioned there that the ‘creators’ of the Tarot as we know it were basically 18th century esoteric writers Antoine Court de Gebelin and his friend the Count of Mallet. Yet Tarot would not be the esoteric phenomenon it is today (a search on the internet on ‘tarot’ would pull a staggering amount of 28 million entries) if it weren’t for another Frenchman, Alphonse Louis Constant, known as Eliphas Levi (1810 -1875).

Levi was a shoemaker’s son, just like another famous esotericist, Jacob Boehme. He was due to become a priest, but he gave up and got involved in the whirlwind of the 1848 revolution (1). When his political ambitions became frustrated, Levi turned to a serious study of Western esoteric traditions. In the process, he became acquainted with two key traditions: the Jewish Kabbalah and the Tarot.

The Kabbalah is a set of esoteric teachings developed by medieval Jews, and based upon a hidden understanding of the Hebrew Bible. At the core of the Kabbalah stays the Tree of Life, a complex system representing the 10 emanations of God into His Creation and the relationships amongst them. Kabbalah had been enthusiastically taken up by the Hermetic thinkers of Renaissance Europe, particularly Pico della Mirandola, Johann Reuchlin, Cornelius Agrippa and others. Christian Cabala, or Qabalah, as it became known, may have altered the original Jewish thought, but it had a tremendous influence on modern esoteric traditions. Levi enthusiastically subscribed to the Kabbalah and included it in his works.

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My earlier two-episode vampire analysis has prompted me to thinking about the quest for immortality, which is probably as old as mankind. The first known hero story, that of the Sumerian Gilgamesh, has the prince unsuccessfully seeking the plant that would bestow him immortality. In the Bible, the first human beings, Adam and Eve, were apparently created immortal only to lose the gift due to evil temptation. Adam and Eve’s story assumes that humanity was initially meant to be immortal. But if immortality is the natural state of mankind, would it be possible to recover it by some means?

I shall conspicuously pick from the countless attempts at achieving immortality those related to alchemy. Commonly described as the art of making gold, alchemy often had the goal of achieving life-extension or immortality. In fact, scholars consider that life extension, not gold was the foremost goal of Chinese alchemy (1). In the West, the attainment of the elixir vitae was initially secondary to the art of goldmaking (2). The first author to emphasize it was the Arab alchemist Jabir (3). He conceived of the “elixir vitae”, another name for the magical Philosopher’s Stone, which transformed metals into gold. The alchemists who came to possess the Stone would then be expected to live many years, or even forever.

From this concept an entire legend of immortal alchemists was born. One of the earliest embodiments was the French alchemist Nicholas Flamel (1330 – 1418), which was reputed to have faked his own death (4) and was recently featured in a novel as an ‘immortal’ (5). The Renaissance magus Heinrich Cornelius Agrippa, though less associated with alchemy, was portrayed as having lived several hundreds of years in Mary Shelley’s The Mortal Immortal (6). Yet perhaps the most influential ‘immortal’ in his age was the mysterious Count of St Germain, whom I have talked about in my previous article. He was reputed to have lived hundreds or even thousands of years, a legend that he apparently cultivated as well (7).

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